Author Archive

Emily

Monday, January 25th, 2010

Emily Heart

A short monologue piece I made recently. Wrote the script in one draft in about 15 minutes, filmed and edited it this weekend.

Starring Sheelagh Wain,

Narration by Jack Bzowski

Written and Directed by Adam Bibilo

Fantastic Mr. Fox

Thursday, November 5th, 2009

Fantastic Mr. Fox Review:

NOT The end for Steven Soderbergh

Tuesday, October 13th, 2009

Soderbergh

Taken from the November 2009 issue of Empire:

“Empire: There was a piece in The Guardian recently, around the DVD release of Che, where it sounded like you wanted to give up. But you don’t sound defeated…

Soderbergh: Okay…What that guy did was not cool. I was not depressed, I was not defeated, I was not resigned. In fact, I was very much the way I am right now.  I was speaking in sort of philosophical terms about the business, about that film, and it was spun and put out in the aftermath of the Moneyball situation to look as though it was a reaction to that. That was not cool, the way I was characterised in that piece.

Reassuring news!

Civil Rights Action for Pirates

Saturday, July 4th, 2009

This is a short film I made a while ago with a friend. He wrote and starred in it, I was on directing and editing duties. Enjoy!

Across The Universe (Julie Taymor, 2007)

Monday, May 18th, 2009

What originally drew me to Across The Universe is the idea that it is a musical set in the 1960s in which every song used in the film is a Beatles classic. The Beatles being my favourite band of all time, I was extremely keen to see this movie. In theory, it sounded like a film I would thoroughly enjoy, but about 10 minutes in I found myself being generally frustrated by how horribly contrived this awful “film” is.

The reason I make a point about it being so contrived is because this is my biggest problem with the film. Instead of it just making neat little references to The Beatles in the film’s narrative, it oh so blatantly weaves the narrative to fit song lyrics as literally as possible. Clumsily. The main character is called Jude the love interest is Lucy, and their friends include Prudence, Maxwell, Jojo and Sadie who is renowned for her sexiness. I admit, those last few names will only mean something to big Beatles fans, but when you are a big Beatles fan it comes off less as a clever reference and more as “You’ll never guess what song these characters will get involved in later!”

What really pissed me off in this film though is the way the narrative clumsily forces characters to undertake actions or have beliefs that will allow them to sing a certain song and have it make a slight bit of sense. The first real stinker of an example of this is when Prudence is at a cheerleading session in high school and because the film requires her to sing “I Wanna Hold Your Hand” (for whatever reason) the narrative makes her a lesbian so that the line “You’ll let me be your man” is perfectly acceptable. My absolute favourite example though is the literal representation of the song “I Want You/ She’s So Heavy”. In order for the narrative to fit this song as literally as possible, the character of Maxwell is conscripted to join the U.S. Army. However, his complex personality and deep character background make him not want to go to war because dying is a bad thing! It is at this point that a giant Uncle Sam poster comes to life and sings “I Want You” to him. I am not making this up, I swear. As the song goes on, we see him being examined as he is prepared to join the army. As the song reaches the “She’s So Heavy” section, we see all of Max’s platoon singing this as they carry the Statue of Liberty on their backs. Gone are the days when the audience can understand metaphors, double-meanings or analogies because we apparantly can’t cope unless we can visually see a literal representation of what is being sung.
Putting all this aside though, the film would at least be somewhat entertaining if any of the musical numbers were actually enjoyable to listen to. Yes, I forgot to mention earlier that the songs have been further tarnished by being covered by the cast themselves and sadly they are all pretty awful. There are maybe one or two songs in this movie that I would consider as “good” covers, but the rest have been completely ruined. Bono singing “I Am The Walrus” is simply too much. And by far the most abysmal is EDDIE IZZARD’s turdworthy rendition of “Being For The Benefit of Mr. Kite”. This isn’t music.
Perhaps if I wasn’t such a massive Beatles fan I would enjoy this film much more but I SINCERELY DOUBT THAT.

Rating: ☆☆☆☆☆